Top 10 Weirdest VST Plugins 2019
Each family as well as each group of friends has that one weird guy doing some rather ubiquitous things which are straight up weird and that’s the case with plugin developers. We all have that one plugin that we load up when we’re in need of something extraordinary or simply crazy. What does it take to be on our list of weird plugins? We either judge the straight-up weirdness of the GUI or the sound shaping capabilities. Let’s just simply jump into the craziness, here is our top 10 list of weird VST plugins in no particular order.
1 Glitch 2 by Illformed
- The Cortex Amp Stack is a combination of two VST-plugins by Matthias Becker: the Cortex Guitar Amp and the OldCab (an amp cabinet simulator). The original VST's have long been out of development, in fact the creators website no longer exists, but now the VST plugins.
- VisualVox VST was designed to be a free intonation correction VST Plugin. Here are some key features of 'VisualVox VST': ￭ shift notes of a voice recording to perfect intonation ￭ fit a voice.
- And there you have it. Now you know which the 12 best VST plugins for professional vocal mixing are. Simply owning the best plugins doesn't make your mix sound professional. You need to know.
- The obvious answer is the Antares Autotune. While it’s the best vocal VST plugin out there, not everyone can spend $400+ on just 1 tool. That’s why I present you MAutoPitch, one of the best Auto-tune alternatives around. It lets you correct sour notes, fix pitch, and even add the iconic T-Pain effect (just max the tuning and the speed).
- Waves R-VOX or Renaissance Vox is a vst plugin that enhances the vocals. I generally use this on vocals combined with CLA 2A and it produces an impressive output. The main reason to use this plugin is it’s.
The 7 Best Free Synth VST Plugins; 8 Free VST Plugins That Will Inspire You in Strange Ways. Rory Seydel is a musician, writer and father who takes pleasure in touring the world and making records. Waves R-VOX or Renaissance Vox is a vst plugin that enhances the vocals. I generally use this on vocals combined with CLA 2A and it produces an impressive output. The main reason to use this plugin is it’s simple user interface.
This is technically a step sequencer but what’s unique about it is the fact that it doesn’t trigger sampled sounds. Instead it triggers FX. This is a Swiss army knife for slicing, dicing, screwing, twisting, turning and mangling your sounds. There’s a whole bunch of FXs here such as randomizer, modulator, tape stop, retrigger, reverser, stretcher, LoFi, distortion, gater and delay.
Since Glitch features a multi-lane editor, you can trigger and tweak these effects in real-time. The Mutate function is our favourite because it really randomizes each effect into something completely unexpected. Weirdly enough you can get some really inspiring and awesome results. For 50 EUR you’re getting a lot of fun here.
2 Frohmage by Ohmforce
The name itself sounds cheesy! But aside from the name the UI itself is all cheesy and weird looking. If you disregard all of this you’re getting a really decent resonant filter. It’s designed to be dirty, warm and can add some serious colour to your signal. Frohmage features a low-pass filter, multiple band-pass filter and a distortion stage and it can really transform your tracks.
The EVOLVE knob uses multiple pitch-shifting delays for each band of the multi band-pass filters and it creates some out-of-this-world effects. You can even map your MIDI controls to this plugin to control all of the effects in real-time like on a synth. If you’re feeling cheesy, this one’s for you and it’s a freebie by the way.
3 The Orb by Audiothing
This is a formant filter which simulates the characteristics of the human voice. Featuring a set of three band pass filters, The Orb can transform any sound into a vowel-like formant-filtered sound. With the three LFOs you can modulate the Vowel, the Emphasis/Resonance of the formants and the Drift which can shift up or down the frequencies of each formant.
You can also create your own set of vowels by changing the name and frequency for each vowel/formant. Oh and it also looks like a control panel of a submarine or something from the cold war era, so it’s cool to look at as well. It’s 50 EUR so give it a go if you please.
4 Ned Flangers by Killapluggies
Even though this is a straight-up simple flanger, they got us with the name here. Just for the name itself you need to take a look at this one. It’s 32-bit Windows only but has some dirty raw sound which many modern digital flangers don’t have.
The GUI has four simple knobs for control and features Ned Flanders dressed as the Devil. Have we mentioned it is free? Go get it!
5 Delay Lama by AudioNerdz
This is the first VST instrument which features vocal synthesis with a real-time animated 3D interface. What it does is that it enables you to make a Tibetan monk overtone sounds simply by playing one note due to its monophonic structure.
Use the built-in XY pad to adjust the pitch of the sound and go through the vowels. It features a simple stereo delay to add some depth to the sound. This a ridiculously funny instrument in the best way. It’s free, so you don’t have an excuse for not at least trying it.
6 Meow Synth by Meowizer
Here’s something for all of you cat-lovers out there. The sounds of this synth are actually based on a real cat owned by the developer. It’s a freebie and it’s actually nice for creating some weird sounds. It features a single oscillator which is basically a cat meowing and it has an auto filter.
Strangely enough it’s velocity sensitive and it has monophonic and polyphonic modes. Meowizer also features a built-in chorus and tempo-synced vibrato with controlled attack.
7 Physion by Eventide
It was formerly known as Fission, but the guys from Eventide decided to change it for some reason. This is a structural effect that breaks-up a signal source (or a sound) into its basic components and then processes them individually, only to combine them back together again. It separates the transients and tonal elements in order to individually process them.
It features six transient effects and seven tonal effects and it can really alter the sound in unimaginable ways. You can totally change a drum sound by processing the resonant pitch without affecting the transient pitch and it can adjust the impact of a pick on a guitar string. Physion also features reverb, delay, chorus, phaser and tremolo for adding depth so it’s more than just a transient and tonal shaper. Bearing in mind the price tag of $179, it’s a good thing they offer a time-limited test version.
8 Cannabis Vocoder by Bitsonic
Best Vox Vst Plugins
We simply had to feature this one! This one covers everything a weird plugin should have. A weirdly looking interface is absolutely matched by the sound shaping capabilities.
Best Free Vocal Vst Plugins
Cannabis vocoder is a funny plugin which can completely change the sound of your vocal track. The mono version is an effect plugin and by using the effect on the vocal track the software automatically tracks the tune of the vocal track and calculates the pitch of the changed sound as well. The poly version is a VST instrument application so you can load the vocal track into the software and by playing your midi keyboard you can create a polyphonic vocoder effect. Real cannabis is often not free and it will get you into a lot of trouble with the authorities, but this plugin version won’t. 🙂
9 Backsmack by Freakshow Industries
Okay, so this one REALLY wins on all fronts! It looks like it’s out of this world and sounds like it too. This is how Freakshow Industries describe it:
“A chaotic reverser plugin built to make mom proud. Backsmack uses government approved paradox processing technologies to expose the hidden terrors of music. Uncover the plots of ghosts, aliens and other rogue entities with Freakshow Industries Backsmack”.
This is how we describe it: ABSOLUTELY MENTAL. In the best possible way. This one is our favourite of the bunch. For 20 bucks it’s a no-brainer too.
10 Triple Cheese by U-He
This one is similar to a lot of synth plugins out there but it goes through a lot of short chromatic delays in order to create some rather strange sounds. With a massive set of features in its interface and a giant host of presets, this comb synthesizer should keep you busy for a few hours… or weeks. Depending on your synth addictiveness, it’s a cheesy synth to say the least.
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Let’s get your vocals under control with the best vocal compressor plugin software.
As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there…
All of which were researched and recommended by the best.
Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there.
Vst plugin spire_x86_v1 0.20. However, picking off a couple isn’t good enough, compressors differ based on character and style.
So let’s take a closer look 🙂
Find more great gear here:
EQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins,Vocal Microphones
Vocal Compression Guide
What is a Compressor?
Compressors are a bit of a controversial plugin in some ways, as to many it is mystery how it works… and even more of a mystery as to what it can do for them.
This is especially true when it comes to vocal compression.
But as simply put as possible, a compressor compresses dynamic range. So that means that above a set volume (threshold), the compressor will limit the amount of volume increase going out the back end (output) compared to what is coming in the front end (Input).
Given that basic function (compressing and audio signal’s dynamic range), you can imagine the vistas of creative potential open to producers. Imaginative engineers realized you could use them creatively to re-shape the transient shape of sounds. Presto! Compression algorithms became secret sauce.
Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. But not just in a technical way, but as if the compressor was itself a musical instrument.
However, we are on the topic of vocal compressor plugins. So, keeping that in mind, there are a few features that every good compressor should have. Let’s find out.
Features to look for & How to choose
If you follow forum discussions, you will find a lot of opinions about the various types of processors out there. Each producer has their favorite because, given time and experience, one compressor can be somewhat like another.
All compressors will should have these:
- Threshold – which determines the level your audio signal must be before the compressor can reduce its volume.
- Ratio – determines the level of compression that will be applied to the audio signal once the loudness threshold is reached.
- Attack – how fast or slow the compressor will be activated to reduce loudness.
- Release – how fast or slow the compressor will be deactivated to return the audio signal to is original level.
- Knee – smooths out the ratio so that there isn’t a sudden change in dynamics.
- Make-Up Gain – used to “make-up” the amount of gain that has been lost from all that amplitude attenuation.
- Output – allows you to increase or decrease the sound coming out of the compressor to a desired level.
For a more detailed explanation of each, read thisreal funny exposition of audio compression in music production.
Beside these featured listed, a compressor may function slightly differently, or offer some additional features that make them useful for whatever purpose you want to use it for… in this case, mixing and recording vocals.
Character and Vanilla
There are “Character” units, and “Vanilla” units. Like the name suggests, a good character compressor will add some depth and personality to your vocals. A vanilla compressor will get the job done without you know it was even in the room, like a good butler.
Other than that, another thing to look for in a compressor is versatility. That and the ability to get the results you want reasonably quickly.
Sometimes those things will conflict a bit. That is why we choose a plugin which fits our needs the best.
Best Compressor VST Plugins for Vocals
Softube Tube-Tech CL-1B
Price & Demos @ Plugin Boutique
Softube is a great name in overdrive DSP and this FET emulation has many, many fans. This one is of an optical unit. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.
Feature wise it’s a lot like the popular CLA-76 from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary.
It is all about the secret DSP sauce of how nothing is really linear. Add 2db of Gain and suddenly your sound is different. Changing one knob is like changing five knobs on a “clean” compressor. Over time you can get a sense of what is going on. Until then…
You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. This is character processing at its best, and if the unit sounds good then you can’t beat it.
The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land.
That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid.
If this is the path for you then close your doors to the world and make this the only device you use for everything. Just like they did back in 1965. It is part of your “sound.”
Demonstration
Waves CLA-76
Price & Demos @ Waves Audio
Waves have been around for a very long time and for much of it as the top name in the game. Their plugins used to be really expensive. Nowadays if you catch them on sale they are cheap as chips. And general pretty good value for that.
The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. People still pay big coin for hardware versions of these things for “modern” recordings.
Feature wise, these units don’t have a lot on offer. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. Sounds dull, I know, but in-practice they can be great.
CLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Great for drums as you can really flatten them to add thickness, edge and size.
And for vocals? Depends on who you are. Some like the CLA-76 for vocals for that very same reason. Merciless attack times, the ability to really crunch those pop vocals. Others don’t. But some producers, like Chris Lord-Alge, swear by them for the “the sound.”
Another thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). This means the units respond very nicely to being hit hard.
Demonstration
Softube FET Compressor
Price & Demos @ Plugin Boutique
Best Vox Vst
More Softube, more emulation. Everyone loves a bit of bounty hunter scum. Or so it would seem with another 1176 emulation. This one looks more like a 70’s Hi Fi than the original though.
Price-wise, when it’s not on sale, it costs more than the Waves unit mentioned. So it’s a good idea to take a look to see if you’re lucky.
However, FET has more features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. This is doable with some effort in your DAW with the CLA-76, but far easier in the FET.
Again, some people love it on vocals, as it can really rough them up add some punch where needed. Many think the parameter additions make this a better bet there. Just keep in mind that some have noticed that the FET can slide into distortion if you aren’t paying attention.
This is a character effect (processor to be accurate). So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places.
Demonstration
Softube Summit Audio TLA-100 Compressor
Price & Demos @ Plugin Boutique
Another minimalistic blast from the past. The Summit Audio units got popular in the 80’s, particularly for vocals.
The reason this style of unit works so well for vocals is that it tends to be kind. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work.
“Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets.
The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there.
This compressor isn’t a jack of all trades. But if you want a character unit to supplement your core compression, or you want to choose one unit to live with then this could be it. I may just suggest that it could see you struggle with less controlled singers like Rappers.
If you ever feel the need to lay down the law in your vocal mix, refer to the other units mentioned. But for singer-songwriter tracks, this is great.
Demonstration
FabFilter Pro-C2 Compressor
Price & Demos @ Plugin Boutique
This fellow is the real odd one out here. Not because it’s the best or the worst, but because it’s not a character unit. Pro-C2 is all about modern, practical, versatility, and clean.
This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Why buy and learn 78 devices when you can get one?
It is also simply the go-to plugin for all your compressing duties on every track, not just vocals. So it is well worth it.
You get a lot of modes targeted at most of the common things you will want to do with a compressor. For instance, its vocal mode helps you to bring vocals to the front of the mix. A nice little addition to a plugin.
Analog, Classic & Optical style modes are also on the list. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Think of it as leaning a bit that way.
Best Free Vst Plugins 2020
Upside? This is the only unit here to offer control over the Knee of the compression critters. Boggling if you don’t get it but super useful if you do. Especially when it comes to vocal mixing.
Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. You probably think of it as the ‘Fruity Loops’ of compressors.
Also, rather than being stuck in an old-hardware frame of mind the interface is visually informative and very adjustable to suit your task or preferences. You can even pop it full screen on an unreasonable large Retina display!
Demonstration
Waves Audio V-Comp
Price & Demos @ Waves Audio
Waves V-Comp rides on the vintage Neve’2254’s classic sound with its super-responsive dynamics processor.
It has all the typical compressor controls and its interface is intuitive and easy to use. The V-Comp also features a De-Esser switch which functions like a high-frequency side-chain to smoothen harsh high frequencies in the mix. This is a nifty feature that can be turned on and off with a single switch. Also included is a limiter that can be used independently.
While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. V-Comp lends a unique ‘analog-ish’ color to the entire mix, which we believe to be a commendable feat in itself.
Its vintage-style squashing of the transients is also convincing. There is a bit of warmth in the processed signal which can be further shaped by the De-Esser and the limiter functions.
Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound.
Waves CLA-2A
Price & Demos @ Waves Audio
The CLA-2A is modeled after the legendary Teletronix LA-2A, a tube-based compressor from the 1960s. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. The Waves CLA-2A emulates this frequency-dependent action for smooth gain reduction.
Producers love the multi-stage release and the CLA-2A’s quick response, both of which add character to the mix. It seems that most producers use the CLA-2A for leveling purposes, particularly for bass sounds. But it has also proven itself as a competent vocal compressor as well.
Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.
The CLA-2A does not have a lot of tricks, but its historic sound and simplicity makes up most of its charm. It has more than you would ever expect from a product of its price point.
Waves CLA-3A
Price & Demos @ Waves Audio
Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This ensures a fast response from attack to release, a perfect tool for high-tempo music.
Moreover, it packs a subtle harmonic distortion for some added spice. This works best for bass, as it brings out a unique kink from the sound. Nonetheless, the CLA-3A infuses this edge to your vocals without ruining the signal.
Like the CLA-2A, it uses an optical attenuator for gain reduction. The algorithms behind the compression are program dependent. This means that it is hard to say how a particular setting would change the quality of the sound. This unwieldiness is expected out of any ‘vintage-style’ compressor and is what makes it fun to use.
The CLA-3A’s interface is fairly simple. It has a Peak Reduction knob for controlling the desired compression, and a Gain knob for adjusting the levels after compression.
Overall, the CLA-3A can be used for a wide variety of applications. But its magic is most potent on bass, vocals, and guitars.
Waves Renaissance Vox
Price & Demos @ Waves Audio
None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features.
What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. It deploys an entire array of expansion, compression, and limiting gadgetry, most of which happens by way automation.
But despite the complex tech behind R-Vox’s processing chain, users are only given three controllable parameters, which are expander and compressor thresholds and output attenuation. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame.
Nevertheless, this plugin’s ‘plug-and-play’ philosophy helps producers focus on other mixing aspects by automating the gritty details. And it does this to excellent effect. An instance of R-Vox instantly puts your signal into the front and center of the mix. It adds weight to any signal, which can help for weak-sounding vocals to stand out.
Another added bonus is its relatively small CPU footprint. You can chuck in multiple instances of the plugin without putting a strain on your machine.
Final Thoughts
What to do?
The Tube-Tech CL 1B unit is the favorite by far. But being a high-ticket item, you may want to consider the other four units mentioned if you’re on a tighter budget.
Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW.
If you’re thinking a character unit, then it really comes down to what appeals to you mostly. Namely:
Waves CLA-76, Softube FET and Summit Audio TLA-100.
Waves CLA-76 and Softube FET may suit people who mix harder and louder (as most of us have to these days), and whose vocalists need more discipline. Submitting to the Summit Audio TLA-100 could be perfect for the folksier amongst us.
But if dollars are the deciding factor, then check if Waves is having one of their many sales right now go grab it!
But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by.
If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all.
The Tube-Tech CL1B, when powered up with the Collection Upgrade, proves itself to be a very competent product. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck.
But one cannot also ignore the CLA-2A and CLA-3A, as these are also very powerful compressors. What makes them interesting are their unique vintage features. If you’re looking for something that would help you develop your personal sound, these two products might suit you the best.
Of course, one could never go wrong with the Renaissance Vox. While also learning more towards the pricier side, the simplicity and the sheer power of this plugin makes it an awesome choice for newbies and vets alike.
On the other end of the spectrum is the FabFilter Pro-C2 which is as simple and vanilla as you can get. If you’re looking for a no-nonsense compressor that does its job, the FabFilter is an ax that will never fail you when you need it the most.